Introducing Final Cut Studio 2. Editing Unleashed.

Final Cut Studio 2 helps take you beyond mere editing. Discover the intuitive power of new creative tools designed expressly for Final Cut Pro editors. Rapidly move through editing to motion graphics, audio editing and mixing, color grading, and delivery — all as a natural extension of the work you already do.

Final Cut Studio 2 puts a powerful new version of Final Cut Pro at the center of an integrated post-production workflow. Final Cut Pro 6, Motion 3, Soundtrack Pro 2, Compressor 3, DVD Studio Pro 4, and Color — a brand-new application for professional color grading — are all included in Final Cut Studio for a UCI price of $499, ($1299 retail).

It’s a Final Cut world

Independent filmmakers. Hollywood film editors. Corporate video and event producers. Editors with hourly deadlines cutting broadcast spots or network news. Hundreds of thousands of creative professionals all over the world have made Final Cut Pro their first choice for editing. It has rapidly become an industry standard.

Building on this success, Apple has designed each application in Final Cut Studio 2 with Final Cut Pro editors in mind. Start working quickly with intuitive tools and familiar interfaces. Whenever you’re ready for precise control, a comprehensive set of features is just a click away.

The editor’s choice

Final Cut Studio 2 is fast, fluid, and flexible. Use a laptop on location and a desktop in the studio. Start with the tools you already use today and extend your reach when you’re ready. Final Cut Studio 2 has everything you need in a single product.

Edit. Use Final Cut Pro 6 for native editing of virtually any format — from DV and SD up to HDV, XDCAM HD, DVCPRO HD, and fully uncompressed HD. Or use ProRes 422, a new post-production format from Apple that offers uncompressed HD quality at SD file sizes. Drag clips with different formats and even different frame rates into the new open format Timeline.

Animate. Create stunning 2D and 3D motion graphics in real time with Motion 3, the fastest and most intuitive way to animate and express your creative vision. Just drag and drop to make dramatic particle effects explode into 3D space; form vector-based paint strokes with the swish of a pen. New Motion master templates let you edit text and drop in video without leaving Final Cut Pro.

Mix. Record and edit dialogue, add music and effects, and complete your mix with ease. Soundtrack Pro 2 lets you work faster than ever in its new, streamlined interface. You can even produce in surround sound using innovative visual tools. If you make changes to your edit in Final Cut Pro, you can rapidly update your audio mix with the powerful Conform feature in Soundtrack Pro.

Grade. Give your production a signature look or create a consistent feel for shots from different sources. Color is the newest member of the Final Cut Studio family, offering professional color grading that can elevate the quality of any production.

Deliver. Use Compressor 3 to create pristine-quality output for a wide range of delivery formats — including the web, iPod, iPhone, Apple TV, and broadcast servers. A streamlined new interface lets you batch-process encoding with point-and-click ease. If film is your destination, use Cinema Tools 4 to output film lists that combine timecode and keycode in a single list. Or use DVD Studio Pro 4 for professional DVD authoring and mastering.

Post-production without walls

Final Cut Studio 2 is not just a product. It’s a platform. Open standards encourage innovation, giving developers and partners the freedom to create custom solutions. With XML to share project data and QuickTime to seamlessly move media between systems, Final Cut Studio 2 can fit into virtually any production pipeline or newsroom.

Whether you’re working in a group of 2 or 200, Final Cut Studio lets you collaborate with ease. Share media seamlessly across multiple workstations with Xsan. Use Final Cut Server — with or without Xsan — for media asset management and workflow automation that is deeply integrated with Final Cut Studio 2. Whether you’re cutting commercials, editing feature films, or pushing out the nightly news, Final Cut Server helps you work faster whenever you’re working together.

FINAL CUT PRO 6

The first choice of professional editors worldwide, Final Cut Pro 6 delivers high-performance digital nonlinear editing, native support for virtually any video format, and facility-class extensibility and interoperability. Its workflow extends through the other Final Cut Studio applications and Final Cut Server for even more power. Whether you’re working solo or collaborating with a team, Final Cut Pro gives you more creative options and technical control than ever before.

Broad Format Support
With native support for virtually any format, Final Cut Pro lets you edit everything from uncompressed SD to HDV, DVCPRO HD, and uncompressed HD — as well as Panasonic P2 and Sony XDCAM HD tapeless formats. Or use ProRes 422, a new post-production format from Apple that offers uncompressed HD quality at SD file sizes. Mix and match a wide range of formats and even frame rates in the open format Timeline. If you edit film, use the redesigned interface in Cinema Tools 4 to work faster than ever, with customizable lists that let you combine timecode and keycode in a single document. For more info, CLICK HERE

Incredible Real-Time Effects
Final Cut Pro is built for speed. RT Extreme delivers real-time performance for more than 150 filters and effects as well as for multistream video. Dynamic RT adjusts image quality and frame rate on the fly for optimal playback on any system. Use the SmoothCam feature to automatically stabilize shaky shots while preserving standard camera moves. Easily swap out video clips and edit text in motion graphics without leaving Final Cut Pro, using editable Motion 3 master templates. For more info, CLICK HERE

Comprehensive Editing Tools
A complete set of professional editing and trimming tools lets you work quickly, while a full range of customization options gives you flexibility and control. Use powerful multicamera editing tools to view and cut video from multiple sources in real time. Mix up to 24 channels of audio with the onscreen mixer or use a Mackie Control Protocol device with faders. When you’re finished, output frame-accurate video at stunning quality. For more info, CLICK HERE

The Hub of Final Cut Studio
Final Cut Pro 6 extends its capabilities through the other applications in Final Cut Studio 2. Send your project to Color for professional color grading, complete with sequence metadata from Final Cut Pro. Use the new Conform feature in Soundtrack Pro to automatically update your audio project to match your video edit after you make changes in Final Cut Pro. You can also send files round-trip between Motion and Final Cut Pro. When you save a change in Motion, the update appears in Final Cut Pro. Send files to Compressor for batch processing and output to multiple formats, all at pristine quality. Or send your Final Cut Pro project to DVD Studio Pro along with chapter markers from your edit. In larger workgroups, multiple Final Cut Pro editors can share media using a consolidated storage pool powered by Xsan. For deeper workgroup support, Final Cut Server — with or without Xsan — offers powerful media asset management and workflow automation that is closely integrated with Final Cut Studio. For more info, CLICK HERE

Open, Extensible Architecture
Open standards such as QuickTime and FxPlug encourage interoperability with a host of third-party tools. Build a custom facility wide solution around Final Cut Pro using its open, standards-based XML interchange format.
For more info, CLICK HERE

MOTION 3. Now Playing in 3D.

Motion 3 takes the complexity out of 3D by extending the 2D tools you already use. With its intuitive interface and rich toolset, the only limit is your imagination. Send particles exploding through space. Swing cameras around an object with breathtaking ease. Squiggle a vector-based paint stroke in 3D through the cosmos. Motion 3 lets you create 3D motion graphics with drag-and-drop ease, startling performance, and unprecedented color fidelity.

Intuitive Real-Time Design Environment
Start animating right away with the easy-to-use tools and intuitive interface in Motion 3. You can see the results in real time as you work, and even adjust animation settings on the fly during playback. Be spontaneous. Explore. Experiment. Play. Just drag a behavior to the Canvas to set an object in motion, without any need to write expressions or manipulate keyframes. When you’re ready for more control, a single click opens a full Timeline, Inspector, or Keyframe Editor for making precise adjustments. For more info, CLICK HERE

3D Motion Graphics Done Right
Create motion graphics in 3D space without learning a brand-new interface. The integrated 3D multiplane environment in Motion 3 is a natural extension of the 2D tools you already use. All of the familiar Motion features, such as particles, Replicator, text behaviors, and motion paths, extend into three dimensions with ease. For more info, CLICK HERE

Breathtaking Filters and Effects
Motion 3 comes with more than 150 GPU-accelerated filters and effects — including Aura, Light Rays, Dazzle, and Glass Distortion filters — that you can use to move your projects from so-so to spectacular. And filters are just the beginning.

Automatically match the move of an object to a moving point in a video clip. Use SmoothCam to smooth the movement of a shaky shot without affecting standard camera moves like pans, zooms, and dollies. Achieve crystal-clear slow motion with new retiming behaviors and modify the settings with revolutionary drag-and-drop ease. Motion 3 works behind the scenes to make the setups easy and the results impressive. For more info, CLICK HERE

Time-Saving Features
Motion 3 handles a number of media management tasks automatically and helps speed you to creative work with an extensive library of Apple-designed graphic elements. Deep integration with the Final Cut Studio family saves time by letting you drag and drop Motion projects into other applications without rendering. Editable master templates make it easy for editors to swap out video and update text right in Final Cut Pro. Motion 3 even supports interchange with common Adobe tools. For more info, CLICK HERE

SOUNDTRACK PRO 2. The Next Wave in Audio Post.
Soundtrack Pro 2 offers unprecedented convenience and power to editors. Fly through audio editing and mixing with a new, streamlined interface that combines the multitrack Timeline and Waveform Editor in a single view. Easily create immersive soundtracks with innovative surround sound tools. Automatically conform your audio edit to changes made in your video edit. With its familiar interface and intuitive tools, Soundtrack Pro is the Final Cut Pro of audio post-production.

Streamlined Multitrack Interface
Soundtrack Pro 2 features a streamlined interface that allows video editors to work efficiently with familiar tools, while simultaneously providing the depth and control that audio professionals need to complete even the most complex projects. For more info, CLICK HERE

Professional Editing and Dialogue Tools
Whether you’re performing a simple crossfade or comprehensive audio post-production, Soundtrack Pro 2 gives you a full range of professional tools for precision editing, audio restoration, processing, and mixing — all with unparalleled video integration. For more info, CLICK HERE

Intuitive Surround Sound
Cinematic sound. Revolutionary control. Soundtrack Pro 2 gives you everything you need to create immersive surround mixes for your video. Whether you’re mixing a multimillion-dollar blockbuster or an independent film, creating an enveloping cinematic soundtrack has never been easier. For more info, CLICK HERE

Automatic Audio Conform Process
Easily synchronize changes from your video edit by using the industry’s first integrated audio conform process. Work in Final Cut Pro, change the picture edit, and then automatically compare and conform the audio project in Soundtrack Pro 2. There’s no need to comb through EDLs or build elaborate change lists. Soundtrack Pro takes the tedium out of the conform process, while offering you complete control over which changes to accept, modify, or reject. For more info, CLICK HERE

Intelligent Workflows
Powerful integration with Final Cut Studio. Seamless interchange with other applications. Soundtrack Pro 2 gives you everything you need to tackle the most complex audio post-production tasks, with the flexibility to work the way you want. For more info, CLICK HERE

COLOR. Grading Is in the House.

Introducing Color, Apple’s new professional color grading application. Quickly and easily experiment with primary and secondary color grade adjustments for SD, HD, and even 2K projects. Color lets you preview the results — at any resolution — in real time. When you have just the look you want, render at stunning quality and blazing speeds. Color uses GPU-accelerated processing to produce RGB output in resolutions up to 4:4:4 with 32-bit float processing. Color makes it easy for editors to create signature looks for projects ranging from short video pieces to full-length theatrical films.

Intuitive Task-Based Workflow
Color uses a task-based workflow that is organized logically into eight “rooms,” or workspaces, designed to offer streamlined access to just the tools you need. Start with Primary In for foundational grading, then use any other room in any order until you’re ready to render through the Render Queue room. For more info, CLICK HERE

Accessible Toolset
The tools in Color extend from a familiar Timeline, color wheels, and standard scopes to an intuitive new 3D Color Space scope. Editors will find it easy to use Color because of their experience with Final Cut Pro. For more info, CLICK HERE

Dramatic Color Effects
Create custom mattes to quickly isolate an object or area in the frame for additional enhancements or effects. Automatically track and adjust your changes over subsequent frames with complete control. To apply advanced effects, just drag and drop to choose from more than 35 professional effects and over 20 looks built into Color. Use them alone or combine them in a variety of ways to create completely custom effects. You can expand your library even further by bringing in third-party plug-ins. For more info, CLICK HERE

Cinema-Quality Signature Looks Create a signature look for a single production or apply a unified look to a series of productions. Get started fast by choosing one of more than 20 looks provided as custom effects in the Color FX Bin, then modify the look and save it for later use. You can also save a color grade, complete with primary and secondary adjustments, and reuse it on other projects. Experiment freely with up to four “live” grades at a time and save the ones you like best. You can even import and use grades created by professional colorists or other editors. For more info, CLICK HERE

Final Cut Studio Workflows
Easily send a project round-trip between Final Cut Pro and Color. Video layers, effects, titles, and all of the other XML metadata from Final Cut Pro are preserved when you return to Final Cut Pro for finishing and final output. You can even use Final Cut Pro and Color together for Digital Intermediate workflows, complete with the ability to render out DPX files at full 4:4:4 2K quality. For more info, CLICK HERE

COMPRESSOR 3. Create Once. Debut Everywhere.

&&With increasing demand for media distribution in multiple formats — ranging from HD broadcast to an iPod screen — it’s more important than ever to be able to output files efficiently while keeping quality high. The streamlined interface of Compressor 3 lets you quickly configure batch processes for encoding to a wide range of industry-standard formats. Or create format and standards conversions at pristine quality through sophisticated optical flow technology. For the ultimate high-speed workflow, set up distributed encoding over a shared-media network powered by Xsan.

Streamlined Encoding Workflow
Compressor 3 makes encoding easy and efficient, whether you are outputting a single file or delivering multiple files in multiple formats. Drag and drop intelligent presets to set up batch templates that you can save for later use. With a customizable interface, powerful audio and video filters, and a dynamic Preview window, Compressor is designed to give you total creative control over your encoded media. For more info, CLICK HERE

Industry-Standard Encoding Support
Use Compressor 3 to create files for delivery on iPod, Apple TV, the web, DVD, mobile phones, and next-generation Blu-ray and HD DVD discs. Compressor 3 makes it easy with support for leading industry-standard formats, such as MPEG-2 and H.264. Expand your encoding choices with the new Episode Pro plug-in from Telestream that supports VC-1, WMV, GXF, and FLV output as well as proprietary formats for broadcast servers. For more info, CLICK HERE

Pristine Format Conversions
Using Apple’s optical flow technology, Compressor 3 produces pristine format and standards conversions — including standards conversions for international distribution and gorgeous SD to HD up-conversions. Change frame rates, convert between progressive and interlaced video, or perform reverse telecine processing — all while maintaining the quality of the original source. For more info, CLICK HERE

Distributed Encoding
Use the Qmaster application included in Compressor 3 to distribute encoding jobs across a network of Mac systems. The AutoCluster option instantly configures clusters of available computers. Set up Qmaster to run rendering jobs for motion graphics, encoding jobs, or a combination of the two. For maximum speed in workgroups, configure a network powered by Xsan. For more info, CLICK HERE

DVD STUDIO PRO 4. Simply Powerful DVD Authoring.

DVD Studio Pro 4 makes it easy to extend your creative vision to every aspect of DVD authoring. Whether your project is simple or sophisticated, you’ll enjoy using familiar, easy-to-use tools to produce the perfect presentation of your SD or HD content. A comprehensive set of advanced features is available whenever you want more control.

Intuitive Design Environment
You don’t have to be a programmer to author a DVD using DVD Studio Pro 4. Editors will find that it’s easy to get started on a first project, then add sophistication over time with powerful, intuitive tools. Choose one of three interface configurations or customize and save your own views. Drag and drop to design menus and set up connections to your content, quickly choose transitions, and build engaging slideshows with ease. Best of all, you can preview and test your work in real time, with no need to create a DVD image or burn a disc. For more info, CLICK HERE

Professional Authoring Tools
DVD Studio Pro 4 offers support for authoring a wide range of projects, from quick DVD dailies to complex commercial titles. Build the tracks for your project by using a familiar timeline, with up to nine video angles, eight audio streams, and 32 subtitle streams for each track. Explore the Story feature to create multiple playlists, or use point-and-click scripting tools to create interactive elements like games and quizzes. You can even take advantage of advanced features for memory management and disc layout. For more info, CLICK HERE

Versatile DVD Mastering
Whether you burn a one-off disc on your Mac Pro or send a title out for commercial replication, you can have confidence that your DVDs will play back on a wide range of set-top players and computers. Burn your own discs in a wide variety of formats, including double-layer DVDs. For commercial replication, choose one of the traditional red laser formats or double the capacity on your HD DVD disc by using a blue laser format. Add commercial features to SD titles, including copy protection flags used by replicators, region coding, and jacket picture art.

For more info, CLICK HERE

Specifications

Final Cut Studio 2 System Requirements

Minimum Requirements to Install All Final Cut Studio Applications

• A Macintosh computer with a 1.25GHz or faster PowerPC G4, PowerPC G5, Intel Core Duo, or Intel Xeon processor
• 1GB of RAM
• An AGP or PCI Express Quartz Extreme graphics card (Final Cut Studio is not compatible with integrated Intel graphics processors)
• A display with 1024-by-768 resolution or higher
• Mac OS X v10.4.9 or later
• QuickTime 7.1.6 or later
• A DVD drive for installation
  
  Recommended Configurations
  The following are recommended for all applications:
• 2GB of RAM when working with compressed HD and uncompressed SD sources
• 4GB of RAM when working with uncompressed HD sources
  
  Available Disk Space
  
• 4GB of disk space required to install all applications (Final Cut Pro, Color, DVD Studio Pro, Soundtrack Pro, Motion, Cinema Tools, LiveType, Compressor, and Apple Qmaster)
• Additional 55GB required to install all optional templates, content, and tutorials (may be installed on separate disks):
  - 9GB for DVD Studio Pro content
  - 8GB for Motion templates and tutorial media
  - 24GB for Soundtrack Pro audio content
  - 12GB for LiveFonts and LiveType animated elements and templates
  - 2GB for Apple Pro Training Final Cut Studio Tutorials media
  
  
  
  Final Cut Pro 6
  
  Editing and Timeline
  
• Mix frame sizes, frame rates, and formats in the same Timeline in real time
• Edit at 23.976, true 24, 25, 29.97, 30, 50, or 60 fps
• Multicam editing of up to 128 sources with real-time playback of up to 16 angles
• Source/Record three-point editing model
• Insert and overwrite with or without transitions
• Replace, fit to fill, and superimpose edits
• Edit overlay for drag-and-drop editing
• Blade and Blade All tools for adding edits
• Extend and split edits
• Sync indicators in Timeline
• Adjacent (through edit) indicators in Timeline
• Dupe detection in Timeline
• Keyframe graphs
• Track targeting
• Track locking
• Auto Select tools
  
  Trimming
  
• Ripple
• Roll
• Slip and slide
• Lift and ripple delete
• Asymmetric, multitrack trimming
• Dynamic trimming
• JKL trimming
• Trim window
• Timeline trimming
• Keyboard and numeric trimming
  
  Effects
  
• FxPlug support
• Real-time software-based audio normalization
• RT Extreme for scalable software-based, multistream real-time effects in DV, SD, and HD formats
• Real-time effects playback on main display and on NTSC/PAL or HD monitor with perfect synchronization
• Dynamic RT for automatically adjusting playback quality and/or frame rate based on hardware capabilities
• Motion integration for motion graphics work
• Shake integration for visual effects work
• 8-bit, 10-bit, and HDR (32-bit floating point) image processing
• Time Remap tool
• Keyframe graphs and editing in Viewer or Timeline
• More than 200 transitions, effects, and filters
• Unlimited effects favorites
• Copy and paste motion and effect attributes
• Unlimited layers with support for nesting
• Bezier curves with movable motion paths
• Numeric control and keyframe capabilities for precise animation and effects
• 2D and 3D titles with Boris Calligraphy
• Animated titles, lower thirds, and graphics with LiveType
• Composite and transfer modes
• Import multilayered Photoshop files with layers and alpha support
• Support for many third-party After Effects plug-ins (PowerPC only)
• FXScript and FXBuilder for designing custom filters and effects
• Digital Cinema Desktop for real-time SD and HD preview playback on an attached Apple Cinema Display
  
  Tools
  
• High-quality real-time video vectorscopes and waveform monitors
• Multitrack Audio Mixer
• Keyboard and user interface customization tool
• Voice Over tool for adding narration directly to Timeline
• Frame Viewer for shot comparisons
• Source timecode overlays in Viewer and Canvas
• QuickView for RAM-based previews of complex multilayered sequences
  
  LiveType
  
• LiveFonts animated fonts
• Customizable text effects and project templates
• Royalty-free animated content library
• Keyframe animation
• Real-time wireframe preview
• Canvas RAM preview
• Import wide variety of formats
• Resolution independent and scalable
• Individual character control
• Unicode system font support
• Animation for rolls and crawls
• Type on a curve
• FontMaker utility for creating custom LiveFonts
  
  Audio
  
• Subframe audio keyframing to 1/100th of a frame
• Real-time audio filter adjustments during playback
• Multichannel audio with support for up to 24 channels in and out
• OMF audio export
• Onscreen multitrack mixing console
• External control surface support
• Soundtrack Pro integration for audio mixing and sound design
• Real-time fader automation
• Variable keyframe thinning
• Real-time audio filters and effects
• Sampling at 8kHz to 96kHz and 8 to 24 bits
• Audio level meters (per track)
• Mac OS X Audio Units plug-in support
• Pan controls
• Mute and solo controls
• Audio waveform display in Timeline
• Logarithmic audio fades
• Scrubbing with or without pitch shifting
• More than 25 audio filters
  
  Color Correction
  
• Send to Color
• Primary (three-way) color corrector
• Secondary (two-way) color corrector
• Image control filters
• 4- and 8-point garbage mattes
• Real-time, hardware-accurate waveform monitor and vectorscopes
• Broadcast-safe filter
• Range-checking zebra stripe overlays
  
  Application
  
• Full Unicode support
• Dynamic window resizing
• Mode-free interface for workflow efficiency
• Multiple sequences and projects open simultaneously
• Up to 99 levels of undo
• 99 audio and 99 video tracks with support for nesting sequences together
• System and user preferences
• Easy Setups for quick configuration
• Customizable keyboard
• Customizable real-time effects settings
• Customizable render settings
• Customizable window arrangements
• Customizable user interface buttons
• Customizable Browser layouts
• Customizable track layouts
• External editor support (helper applications)
• Create Support Profile command for improved AppleCare support
  
  Film
  
• Cinema Tools 4 included
• Create PDF and export XML film lists
• Include timecode and keycode in the same list
• Support for 35mm 3-perf, 35mm 4-perf, and 16mm-20
• Comprehensive, integrated film management tools
• View feet and frames in Timeline
• View keycode and ink number overlays on video in Final Cut Pro
• Film data information in Final Cut Pro Browser
• 24-fps EDL I/O
• 24-fps EDL conversion to and from 29.97 fps
• Import ALE, ATN, FLX, and FTL files in both Cinema Tools and Final Cut Pro
• Track key numbers, ink numbers, video and audio timecode
• Output the following lists:
  – Cut list
  – Change list
  – Optical list
  – Pull list
  – Dupe list – Missing elements list
  – Audio EDL
  
• Link media to database
• Synchronize database with Final Cut Pro
• View film data directly in Final Cut Pro
• Search and sort
• Poster frame capability
• Conform clips to specified frame rate
• Reverse telecine function in either Cinema Tools or Final Cut Pro
• Export ALE files
• Import and export Final Cut Pro batch lists
  
  Supported Formats and I/O
  
• Apple ProRes 422 and Apple ProRes 422 (HQ), an 8- or 10-bit, full-resolution VBR format that supports all major frame sizes and frame rates at target bit rates of 145 Mbps and 220 Mbps
• 5.1 surround sound monitoring
• Broadcast Wave Format with drop and non-drop frame timecode options
• Native editing for DV, DVCAM, DVCPRO, DVCPRO 50, and DVCPRO HD
• Native long GOP MPEG-2 editing for HDV, including 1080i 50/60, 1080p 24/25/30, 720p 24/25/30/50/60
• Native long GOP MPEG-2 editing for XDCAM EX at 720p 24/25/30/50/60, 1080i 50/60, 1080p24/25/30
• Support for XDCAM HD at 1080i 50/60/VFR and 1080p 24/25/30/VFR with free Sony software
• Native 25-Mbps CBR, 18- and 35-Mbps VBR MPEG HD for XDCAM HD
• Native editing for IMX at 30, 40, and 50 Mbps for SD
• Native editing for P2 at 1080i 50/60/VFR and 720p 24/24N/25/25N/30/VFR from P2 cards
• 1080pA 24 (Advanced Pulldown) supported via FireWire from AJ-HD1200A and AJ-HD1400
• P2 import dialog with browse, mark, and background ingest
• IMX ingest and output supported with optional third-party software
• Uncompressed 8- and 10-bit HD (4:2:2 YUV) via PCI card
• Uncompressed 8- and 10-bit SD (4:2:2 YUV) via FireWire or a PCI card
• Apple Intermediate Codec
• OfflineRT Photo-JPEG codec
• HD at 1080i 50/60, 1080p 23.98/24/25, and 720p 24/25/30/50/60
• Pulldown tools for telecine insertion and removal
• 25 fps @24 fps conversion
• Frame-accurate log and captures
• Frame-accurate edit-to-tape
• Serial device control (RS-422, RS-232)
• FireWire device control
• Log and capture tool with support for batch, clip, and on-the-fly capturing
• Still images: PSD, BMP, JPEG, PICT, PNG, SGI, TARGA, TIFF
• Insert and assemble editing to tape
• Compressor for encoding, format conversions, and batch processing
  
  Media Management
  
• Export OMF with volume and pan metadata
• Media management tools
• Render file manager
• Extensive search, sort, and sift capabilities in Browser
• Rename Clips to match Media and vice versa
• Maintain Master clips across multiple projects
• Clip labels
• Custom comment fields
• Integrated film database with Cinema Tools 4
• Master and affiliate clips
• Move, copy, and transcode items at sequence or project level
• Consolidate, trim, or archive
• Online with automatic reconnect and batch capture capabilities
• EDL I/O
• Autosave Vault
• XML interchange format for custom integration work
• Batch export
• Compressor integration
  - Some features require additional hardware. DV, DVCPRO 50, and DVCPRO HD output requires a FireWire-enabled camera or deck. SD output via FireWire requires an AJA Io. Please contact your Apple Authorized Reseller for information.
  
  Motion 3
  
  User Interface
  
• Unlimited tracks of movie clips, graphics, text, and particles
• Project sizes up to 4K (4K resolution requires a graphics card with 256MB of VRAM or more)
• Color bits-per-channel: 8-bit, 16-bit float, and 32-bit float (Float processing requires a graphics card with 128MB of VRAM; 256MB or more recommended)
• Customizable nonsquare-pixel support
• Semitransparent heads-up display with onscreen controls for layers, behaviors, and filters
• Onscreen controls for 3D position, 3D rotation, 3D anchor point, skew, four corner pin, and crop
• Enable/Disable float bit-depth viewing independent of project setting
• View color channels and alpha channels independently
• Canvas alignment tools including dynamic alignment guides, 3D grid, and rulers
• Pen-and-tablet gesture-based interface
• Integrated File Browser for fast access to Finder content
• RAM Previews for viewing complex animations at full frame rate
• Save favorite settings, customized effects, gradients, text styles, and more in the Library
• Over 1000 pieces of Apple-designed, royalty-free vector artwork, high-resolution images, and animated design elements
• Instantly display and access all layers in the project using a single keystroke, similar to Exposé in Mac OS X
• Customizable toolbar that places your favorite tools at your fingertips
• Create, save, and remap custom keyboard shortcuts
• Show images outside the visible frame boundary for easily adjusting off-screen objects
• Automatically collect media used in a project for easy backup or moving to other locations
• Use Spotlight in Mac OS X to locate Motion projects by searching on any layer name or text string created in the project
  
  3D Compositing Environment
  
• Position, rotate, and intersect multiple layers in 3D space
• Combine multiple layers into 3D groups for hierarchical 3D animations
• Add, animate, and cut between multiple cameras
• Unique Walk-Camera intuitively operates like a first-person video game
• Adjust the camera’s near and far soft clipping planes to avoid object “popping”
• Apply Camera behaviors for easily creating and modifying complex camera moves
• Quad split view for displaying multiple orthographic and perspective views
• Inset viewer for quickly checking alternative views while making adjustments
• Multiple light sources including ambient, directional, point, and spot
• Enable particles, Replicator elements, and paint strokes to animate in 3D space
• Create 3D text behaviors for character-by-character animations with full 3D position and rotation control
• Create 3D motion paths for layers, cameras, and light sources
• Apply behaviors like throw, orbit, and vortex with 3D attributes
• Isolate any layer to a Front view for easily modifying masks or editing text
  
  Timeline Editing and Layering
  
• Layer list view makes it easy to change the stacking order of any layer, group, filter, or animation behavior
• Grouping for applying compound transformations and filters
• Common “bring to front” and “send to back” functions
• Opacity and blend mode display for quick access on every layer and group
• Create drop zones for easy drag-and-drop image replacement
• Clone layers for linking instances of images that inherit properties automatically
• Solo tracks for easier viewing and refinements
• Composite with premultiplied or non-premultiplied alpha channels
• Mini-Timeline built into the Canvas that displays a single track for the currently selected layer, group, filter, or behavior
• Trim, slip, slide, and retime audio and video clips via the mini-Timeline
• Retime clips using frame blending, motion blur blending, or optical flow
• Cache optical flow retiming analysis to change speed at any time without reanalyzing
• Full Timeline with drag-and-drop editing to choose between compositing and assembling multiple clips
• Insert and overwrite editing directly into the Timeline
• Display and edit audio tracks in the Timeline or in the Audio Editor
• Markers that can be placed in the Timeline or on a specific clip with notes
  
  Animation
  
• Unique behavior animations for creating natural phenomena like wind, gravity, and vortex
• Sophisticated simulations like attract, repel, and orbit, which create multilayered 3D animations
• Text sequencing for automating complex title animations in 3D space
• Auto-animated Parameter control like oscillate, wiggle, and more
• Retiming behaviors automate ramping in and out of speed changes
• Audio behavior for syncing animations with audio tracks
• MIDI behavior for triggering parameter changes via any MIDI device
• Shape behaviors allow for tracking points on a shape or creating random wiggling animated shapes
• Complete keyframe-based animation tools
• Keyframe Editor with Bezier, Linear, Constant, and Ease In/Ease Out interpolations
• Copy and paste keyframes from different tracks and parameters
• Keyframe settings for ping pong, repeat, and progressive
• Record Animation feature with keyframe thinning for recording animations in real-time
• Draw keyframes in the Keyframe Editor using freehand pen tool
• Squish, stretch, and move groups of keyframes using a transform box
• Save curve sets for quick access to common parameters
• View animated curves for easier navigation
• View keyframes in the Timeline for quick positioning
• Enable/Disable keyframe and behavior-based animations to easily compare different results
  
  Particle Engine
  
• Sprite-based particle engine with accelerated performance
• Over 200 particle presets for easy access to sparkles, fire, smoke, and more
• Animate particles in 3D space with “Face-Camera” control
• Apply multiple objects or video clips as emitters
• Apply additive blend mode for intense glowing results
• Animate emitters and cells independently
• Save newly created particles in the Library for reuse in other projects
• Choose between point, line, rectangle, circle, box, sphere, and more for emitter shapes
• Control birth rate, life, speed, angle, spin, scale, and gradient colors for particle cells
• Scale particles over their life or add behaviors like orbit and vortex for amazing 3D results with little effort
  
  Paint Effects
  
• Paint with pressure-sensitive vector-based brush strokes
• Select from over 100 customizable brush styles from traditional to abstract
• Modify brush width, color, opacity, jitter over the stroke path
• Automatically draw on and draw off with full customization
• Edit brush strokes as Bezier or advanced B-spline paths
• Rotate the stroke in 3D space with “Face-Camera” control for volumetric 3D strokes
• Assign pressure and speed to brush properties when using a pen and tablet
• Enable dynamics on paint dabs for particle paint type effects
• Apply Replicator-like sequencing animations that can cause the paint stroke to ripple through 3D space
  
  Replicator Tool
  
• Automatic replication of any graphic, text object, or movie file along defined patterns
• Over 200 Replicator presets that can be completely customized and resaved
• Animate replicated patterns in 3D space with “Face-Camera” control
• Save newly created Replicators in the Library for reuse in other projects
• Choose between line, rectangle, circle, burst, spiral, wave, box, sphere, and more for Replicator patterns
• Define the number of rows, columns, and 3D ranks that fill or outline the pattern
• Control pattern size, cell size, angle, scale, and gradient colors for Replicator cells
• Change the offset for rows and columns, causing them to shift position across the defined pattern
• Control origin of animation from various points of the pattern
• Add random scale and angle setting for more natural replications
• Apply additive blend mode for intense glowing results
• Set color of replicated objects from a single tint to a user-defined range
• Add Replicator Sequence behavior for wavelike animations over various patterns
  
  Title Design
  
• Vector-based text engine for creating clean type at any size
• Format text using size, rotation, slant, tracking, kerning, and more
• Animate individual text characters in 3D space using customizable text behaviors
• Select from common set of blend modes, including normal, multiply, screen, and add
• Customize text styles with control over the face, outline, glow, and drop shadow
• Type-on and text on a path layout/animation options
• Text field in Inspector that makes it easy to edit text even if text is obscured in the Canvas
• Fill text with solid or multipoint gradients
• Apply static images or video clips as textures to text faces
• Control textures using hold frame, offset, wrap modes, and opacity
• Support for Asian, Cyrillic, and other Unicode system fonts
• Support for Apple LiveFonts for unique font animations
  
  Tracking and Stabilization
  
• Match move using single-point tracking or four corner pinning
• Create tracking data that can be referenced by multiple objects
• Track a filter’s onscreen position controls
• Offset tracking for creating a single track from multiple offsets
• Tracking behavior highlights best potential tracking points, eliminating guesswork
• Advanced tracking algorithm maintains accurate analysis when patterns rotate or skew
• Smart retry resets search region automatically for less user intervention
• Provide directional hints for fast-moving regions by using Look-ahead feature
• Stabilize using traditional point stabilizer or optical flow analysis
• Automated optical flow stabilizer bypasses selecting points and time-consuming setup
• SmoothCam optical flow analysis removes jitter and rocking from handheld shots while retaining overall camera moves
• Adjust amount of smoothing applied to transforms, rotation, and scaling in real time
  
  Accelerated Filters and Effects
  
• Over 130 accelerated filters for real-time interactivity
• More than 10 blur filters, including Gaussian, Channel Blur, Radial Blur, and Defocus
• Simple and bevel borders
• More than 15 color correction filters, including Color Balance, Gradient Colorize, Color Reduce, and Threshold
• More than 25 distortion filters, including Basic 3D, Refraction, Insect Eye, Glass Distortion, Ripple, and Scrape
• Stunning glow effects for Light Rays, Bloom, Aura, and more
• PrimatteRT chroma keyer
• Stylize filters like Vignette, Color Emboss, Half Tone, Line Art, and Tunnel
• Unique kaleidoscope and tiling filters
• Time-based filters for echo and strobe effects
• Video filters for deinterlacing and broadcast-safe colors and luminance
• Generators that automatically generate patterns, noise, colors, and caustics
• Support for GPU-accelerated third-party FxPlug filters
  
  Masking Tools
  
• Bezier or advanced B-spline masking tools
• Create ovals, rectangles, and arbitrary freehand shapes
• Control opacity and edge feathering
• Combine masks using mathematical operations
• Track entire shapes or control points using tracking behaviors
• Create image masks from alpha, luminance, or RGB values of a second image
  
  Audio
  
• Support for AIFF, WAV, MP3, VBR MP3, and AAC (MPEG-4 Audio)
• Edit audio tracks in the Timeline with trim, slip, and move
• Retime audio tracks with pitch change
• Scrub audio tracks for frame-accurate positioning
• Control balance, gain, mute, and solo individually
• Use master audio controls for global audio adjustments
• Keyframe audio volume in Audio Editor
• Trigger parameter changes based on audio frequencies or transient hits
  
  Integration and Third-Party Support
  
• Open Timeline data from Final Cut Pro, including cuts, layers, transforms, and retiming data
• Open Motion directly from the Final Cut Pro Timeline, bypassing import/export steps
• Create master templates in Motion that retain editable text and drop zones in Final Cut Pro
• Animations from Motion automatically update in the Final Cut Pro Timeline when changes are made in Motion
• Round-trip editing between DVD Studio Pro and Motion, making it simple to create and modify Motion menus without intermediate rendering
• Send audio from Motion to Soundtrack Pro Waveform Editor; sound design changes in Soundtrack Pro automatically update in Motion
• Drag and drop Motion 3 native project files into Adobe After Effects 6.5 or 7.0, without rendering
• Preview projects on a broadcast monitor using AJA I/O or Blackmagic devices
• Import vector PDF graphics or Photoshop layered documents
• Import OpenEXR files (Float processing requires a graphics card with 128MB of VRAM; 256MB or more recommended)
• Support for third-party FxPlug plug-ins
• Support for Core Image Unit plug-ins
  
  Export
  
• Export to HDV, H.264, MPEG-4, and other QuickTime-supported codecs
• Export as movies or image sequences
• Export as 16-bit or 32-bit floating-point OpenEXR format (Float processing requires a graphics card with 128MB of VRAM; 256MB or more recommended)
• Support for progressive and field-based rendering
• Accelerated motion blur with customizable shutter
• Save custom export settings for easier selection
• Render back to the Timeline
  
  
  Soundtrack Pro 2
  
  Precise Audio Control
  
• Nondestructive, sample-accurate editing of audio files
• Support for up to 24-channel files, including mono, stereo, and surround
• Action-based editing to modify, reorder, suspend, or delete any audio edit, plug-in, or process
• Audio Effects and Audio Units plug-ins can be applied to supported audio files as Actions
• Audio Effects and Audio Units plug-ins can be applied to supported audio files as real-time effect chains
• Real-time effects applied to audio files can be rendered to Actions
• Intelligent analysis, repair, and restoration functions for:
  – Clicks and pops
  – Power line hum
  – DC offset
  – Phase
  – Clipped signal
  
• Integrated multichannel file editor
• Audio time stretching without affecting pitch
• Ambient Noise Print to quickly replace unwanted noises from location recordings
• Background Noise Removal including noise print
• Sample ruler units in sample value, normalized, percent, and decibel view
• Snapping to ruler ticks, zero crossings, markers, and adjacent clips
• Support for bit depths up to 32-bit float
• Support for sample rates from 2kHz to 192kHz
• Support for AIFF, WAV, MP3, CAF, BWF, SDII, NeXT, QuickTime, and STAP (Soundtrack Audio Project) file playback
• Saves files nondestructively as STAP files or destructively as AIFF, WAV, SDII, QuickTime, CAF, or NeXT
• Export mixes as AIFF, WAV, NeXT, SDII, MP3, AAC/Podcast, Dolby Digital Professional (AC-3), or use Compressor for additional file support
• Selection history
• Waveform and customizable frequency spectrum views with linear and logarithmic display
• Frequency selection and editing in frequency spectrum view
• Animated waveform feedback
• Mini-waveform view
  
  Advanced Sound Design
  
• Processes including:
  – Fade in/Fade out
  – Normalize
  – Amplitude adjust
  – Silence
  – Invert
  – Swap channels
  – Mono conversion
  – Channel reordering
  – Resample
  – Generate silence, white noise, pink noise, sine wave, sawtooth wave, square wave, or triangle wave
  
• Support for Audio Units plug-ins
• Audio Units presets available to all Audio Units-compatible applications
• More than 6000 sound effects, music beds, and music loops, including over 1000 in surround
• Powerful media search engine
• Support for Apple Loops, AIFF, WAV, MP3, AAC, CAF, and ACID sound and music libraries
  
  Advanced Take Management
  
• Multitake recording with take editing in Multitake Editor
• Multitake Editor allows comps of multitake recordings and other audio files
• Combine individual phrases from different takes
• Automatic customizable crossfade between phrases
• Single-click take selection
• Adjustable transition boundaries for multitake comps
• Final comp functions as stand-alone clip while retaining access to all takes
• Slide phrases within edit boundaries
  
  Professional Multitrack Audio Editing
  
• Single window with customizable tab panes
• Customizable window layouts
• Dynamic tab panes with quick show/hide functionality
• Resizable video window tab
• Multitrack Timeline with tracks, busses, submixes, and master in mono, stereo, or surround
• Multiple multitrack and audio file projects open at once
• Mixed sample rates supported in multitrack projects
• Time- or beat-based tracks
• Ruler in HH:MM:SS, seconds, samples, frames, drop frame, non-drop frame, beats
• Loop clip transposition
• Loop clip speed adjustments (quadruple, double, normal, half, quarter)
• Adjustable automatic and manual crossfades
• Fade selector for customizing fade in, fade out, and crossfades
• Tape style and sample repeat scrubbing
• Rolling edit tool
• Native and custom timecode spotting
• Multitrack recording of mono, stereo, and multichannel files
• Lift and stamp tool to selectively copy plug-in sets from one clip to another
• Lift and stamp effect sets can be saved as presets
• Lift and stamp EQ matches the EQ characteristics of one clip to another
• Automation parameters can move with clips or lock to absolute time
• Pull up/pull down of audio and video to all common standards
• Customizable clip and track colors
• Clip locking in multitrack
• Clip disabling in multitrack
• Momentary mono switch
• Automatable master tempo, master volume, master effects, and key
• Automation of most mix and effect parameters with read, touch, and latch modes
• Pre- and post-fader send busses for application of common effect plug-ins to multiple tracks
• Output bussing for single fader control of multiple tracks
• Support for multichannel audio output devices
• Time, duration, podcast, beat, and end-of-project markers
• Powerful browser for locating content quickly
• Multipoint Video HUD
• Tool HUD
• Timecode HUD
• Numeric Clip offset
• Bin with access to multiple projects, media files, markers, and clips
• Spotlight-style searching in Bin
  
  Surround and Stereo Mixing
  
• Discrete 5.1 mixing, bussing, and routing
• Console-style Mixer with full stereo and surround meters on every track, buss, submix, and master
• Surround panning of mono, stereo, and surround audio files
• Mono, stereo, and surround files can be combined on same track
• Support for multichannel surround files
• Surround Panner HUD with automatable controls for rotation, width, collapse, center bias, LFE balance, and individual speaker disabling
• Surround and stereo panner automation data simultaneously available on each track
• Automatic surround to stereo Dolby-standard downmix
• Support for true surround and multi-mono effects
• Over 1000 royalty-free surround sound effects and music tracks
• Control surface support (Mackie Control Protocol)
  
  Integrated Workflow
  
• AppleScript scriptable (executable from Soundtrack Pro, Final Cut Pro 6, or as AppleScript droplets for batch processing)
• Automator actions for creation of complex multiapplication workflows in Mac OS X v10.4 or later
• Support for video formats up to HD resolutions
• Integrated video tab
• Output to SD and HD1 video monitors (via FireWire or PCI card)
• HD1 or SD output using Digital Cinema Desktop2 to second Apple Cinema Display
• Send and receive MIDI timecode and beat clock for synchronization with hardware and software
• Integration with Final Cut Pro 6, DVD Studio Pro 4, and Motion 3
• Round-trip audio file editing with Final Cut Pro 6 and Motion 3
• Support for Final Cut Pro 6 scoring markers
• Conform tab to conform audio edit to new Final Cut Pro 6 edits
• Conform visual interface for highlighting changed areas
• Accept or reject changes across entire project or selectively on a change-by-change basis
• Podcast track to create audio-only, enhanced audio, or video podcasts
• Support for chapter, artwork, and URL markers in video and audio podcasts
• Export presets and customizable post-export scripts
• OMF import
• AAF import and export
  
  Included Effects
  TS = True surround
• Dynamics
• Adaptive Limiter
• Compressor
• DeEsser
• Expander
• Limiter TS
• Multichannel Gain TS
• Multipressor
• Noise Gate
• Surround Compressor TS
• Distortion
• Bitcrusher
• Clip Distortion
• Distortion
• Distortion II
• Exciter
• Overdrive
• Phase Distortion
• EQ and Filter
• AutoFilter
• Channel EQ
• Fat EQ
• High Cut
• High Pass Filter
• High Shelving EQ
• Linear Phase EQ
• Low Cut
• Low Pass Filter
• Low Shelving EQ
• Match EQ TS
• Parametric EQ
• Soundtrack Pro AutoFilter
• Modulation
• Chorus
• Ensemble TS
• Flanger
• Modulation Delay
• Phaser
• Scanner Vibrato
• Tremolo TS
• Reverb/Delay
• PlatinumVerb
• Soundtrack Pro Reverb
• Space Designer TS
• Stereo Delay
• Tape Delay
• Metrics and Diagnostics
• Correlation Meter
• Multi Meter TS
• Test Oscillator
• TunerTS
• Miscellaneous
• Denoiser
• Direction Mixer
• Enveloper
• Gain
• Pitch Shifter II
• Ringshifter
• Spectral Gate
• Stereo Spread
• SubBass
• Vocal Transformer
  1. HD requires a Power Mac with 1GHz or faster single or dual processors and 1GB of RAM or any Intel-based Macintosh with a minimum of 1GB of RAM.
  2. Digital Cinema Desktop requires a dual-port AGP card with second display.
  
  
  Color
  
  Color Grading
  
• Real-time grading controls for SD, HD, and 2K without proxies
• Workflow-oriented interface divides controls into eight separate “rooms”
• Primary, Secondary, and Primary Out grading functions
• Color wheels with hue, saturation, and luminance controls for highlights, midtones, and shadows
• Curves for individual adjustment to R,G,B and luma with B-spline control points
• Advanced RGB and Printer Points controls for precise film printing
• Switch between four live grades per shot
• Autobalance correction available in Primary room
• ASC-style Lift, Gamma, Gain controls
• Eight secondaries per shot with custom mattes, key blur, and motion tracking
• Animated circle, rectangle, and user shape Vignettes with inner and outer softness
• Keyframing with interpolation for most controls
• Color FX with node trees for compositing control
• Still Store for saving and comparing reference images
• Pan and Scan with preset aspect ratios
• Real-time waveform monitor, vectorscopes, and histograms
• 3D Color Space scopes for RGB, HSL, Y’CbCr, and IPT display
• Broadcast-safe limiting
• Support for 3D LUTs for display calibration and output simulation
• Multiple video tracks
• Support for third-party control surfaces with trackballs and knobs
• EDL support for DPX and Cineon files
• Can render directly to DPX or Cineon file formats for film out
• Use EDLs for “notching” programs without XML metadata
  
  Integration with Final Cut Pro 6
  
• Round-trip projects between Color and Final Cut Pro 6 with Send to Color and Send to Final Cut Pro
• Color projects configured automatically to match Final Cut Pro sequence settings
• 2K Digital Intermediate workflow with Final Cut Pro
• Support for all standard frame rates and frame sizes
• Displays dissolves and fades in the Timeline and renders for 2K projects
• Constant speed change displayed in Color for playback in real time
• Pan and Scan metadata sent to Final Cut Pro as Motion effect
  
  Effects
  
• Over 50 Color FX and premade looks
• Renders at 8-bit, 10-bit, and 32-bit floating point (dependent on GPU)
• Customizable node tree for effects creation
• Save and reuse favorite effects
• Support for third-party plug-ins
• Preview playback of SD, HD and, 2K on an attached Apple Cinema Display or third-party video card
  
  Supported Formats
  
• Support for 4:4:4 2K as DPX or Cineon files
• Apple Uncompressed 8-bit 4:2:2
• Apple Uncompressed 10-bit 4:2:2
• TIFF, JPEG, and JPEG 2000 image sequences
• Apple ProRes 422 and Apple ProRes 422 (HQ), an 8- or 10- bit, full-resolution VBR format with target bit rates of 145 Mbps and 220 Mbps
• Ability to render all formats at uncompressed HD or ProRes 422 and ProRes 422 (HQ)
• Optional proxy creation for DPX and Cineon files
• Third-party codecs from AJA and Blackmagic Design
• IMX, HDV, and XDCAM HD can be graded but must be rendered at ProRes 422 or uncompressed resolution
  
  Trimming for 2K Output
  
• Trimming controls when rendering directly to DPX or Cineon files
• Ripple
• Roll
• Slip
• Splice
• Merge edits
  
  
  Compressor 3
  
  High-Performance Encoding
  
• H.264 Apple devices, web, mobile devices, and HD DVD
• Compatible I-frame insertion
• Full QuickTime support
• MPEG-2 encoding
• MPEG-1 encoding
• MPEG-4 encoding
• Distributed encoding with segmentation options
• Two-pass VBR encoding for MPEG-2
• Provides Dolby-certified encoding to Dolby Digital Professional AC-3 format
• Accepts QuickTime (single-channel or multichannel), AIFF, Sound Designer, and WAV files
• Advanced chaptering for AppleTV and podcasting
• Closed caption support for QuickTime and MPEG-2
• Scaling and down-converting
• Standards conversions
• Retiming
• Preview with split-screen comparison
• High-quality image processing
• More than 100 presets included
• Automated encoding with droplets
• Automatic and custom cropping
• Automatic and custom padding
• 14 image processing filters: brightness/contrast; highlight, midtone, and shadow color corrections; deinterlacing; gamma correction; noise removal; sharpen edge; black/white restore; watermark; text overlay; timecode generator; fade in/out; and letterbox
• Four audio filters: dynamic range; peak limiter; Apple: AUGraphicEQ and fade in/out
• Post encoded files to iDisk or FTP
  
  Dolby Digital Professional Encoding
  
• Dolby-certified encoding to Dolby Digital Professional AC-3 format
• Accepts QuickTime (single-channel or multichannel), AIFF, Sound Designer, and WAV format sound files for encoding
• Support for all channel formats from mono to 5.1 surround sound
• Automatically creates 2.0 or 5.1 based on number of channels in the source media file
• Confidence decoding for preview of AC-3 files
  
  Video Filters
  
• BlackWhite Restore
• Brightness and Contrast
• Color Correct Highlights
• Color Correct Midtones
• Color Correct Shadows
• Deinterlacing
• Fade In/Out
• Gamma Correction
• Letterbox
• Noise Removal
• Sharpen Edge
• Text Overlay
• Timecode Generator
• Watermark (Image, animated with QuickTime or Motion files)
  
  Audio Filters
  
• Dynamic Range
• Peak Limiter
• Apple: AUGraphicEQ
• Fade In/Out
  
  Input Video Formats
  
• QuickTime
• Apple ProRes 422
• Animation
• BMP
• Video
• Cinepak
• DV
• DVCPRO
• DVCPRO HD
• H.261
• H.263
• H.264
• JPEG 2000
• M-JPEG A
• M-JPEG B
• Photo JPEG
• Planar RGB
• PNG
• Sorenson 2
• Sorenson 3
• TGA
• Uncompressed 8- and 10-bit video
• MPEG-1
• MPEG-2
• Elementary
• Program
• MPEG-4
• AVI
  
  Input Audio Formats
  
• QuickTime
• AIFF
• Sound Designer
• WAV
• Dolby Digital (AC-3)
• Soundtrack Pro STAP
  
  Over 100 Presets
  
• Apple Devices
• Podcasting
• Advanced Format Conversions
• Audio Formats
• SD DVD
• HD DVD
• Motion Graphics
• Web
• Modify Apple presets
• Create your own
  
  Apple Qmaster
  
• Provides distributed encoding and rendering for DVD Studio Pro (via Compressor) and Shake and image-based rendering applications
• Distribute jobs to up to 10 nodes
• Segment jobs to multiple computers or send complete movies to single nodes
• AutoCluster provides easy setup for unmanaged services
• Create virtual render farms by turning on services to split processor performance
• Control managed services with Qadministrator
• Scheduling allows additional Mac systems to be used during off-hours
• Specify cluster storage location to be on local disk or Xsan
• Note: AVI, 3G, Dolby Digital, and AIFF cannot be segmented to multiple systems
  
  Output Video Formats
  
• AVI
• QuickTime
• Animation
• Apple Pixlet
• BMP
• Video
• Cinepak
• DV
• DVCPRO
• H.261
• H.263
• H.264
• JPEG 2000
• M-JPEG A
• M-JPEG B
• Photo JPEG
• Planar RGB
• PNG
• Sorenson 2
• Sorenson 3
• TGA
• Video
• MPEG-1
• MPEG-2
• Elementary
• Transport
• Program
• MPEG-4
• M4V
• M4A
• MP4
• Sequential TIFF and TGA
• 3G (3GPP)
  
  Output Audio Formats
  
• QuickTime
• AIFF (PCM)
• AAC
• Alaw 2:1
• Dolby Digital Professional
• IMA 4:1
• Linear PCM
• MACE 3:1
• MACE 6:1 QDesign Music 2
• Qualcomm PureVoice
• uLAW 2:1
• Dolby Digital (AC-3) 2.0 and 5.1 surround sound
• MP3
  
  DVD Studio Pro 4
  
  Graphical View
  
• View flow of DVD graphically
• Print or save to PDF
• Use Macro view to navigate easily through large projects
• Flag elements for more attention
• Fit all elements in window, zoom in/out
• Organize tiles with Auto layout command
  
  Transitions
  
• Add transitions to menus, menu buttons, slideshows, and timeline-based stills
• Choose from more than 30 prebuilt transitions such as Blur, Dissolve, Droplet, Fade through Color, Melt, Motion Dissolve, Rotate, Rotation Blur, and Zoom
• Create additional Alpha transitions
  
  Jacket Picture
  
• Shows picture of choice when user stops playback of DVD on supported DVD players
• Creates all necessary files for jacket picture from any popular image formats
  
  Automatic MPEG-2 Encoding
  
• Encode video in the background while you work or while building the DVD
• One- and two-pass variable bit rate (VBR) encoding for MPEG-2
• Three levels of motion estimation
• Support for PAL and NTSC formats
• Support for 4:3 and 16:9 aspect ratios
• DVD-compliant MPEG-2 streams from other encoders accepted
• More advanced encoding options provided via Compressor (included)
  
  Asset Management
  
• Organize assets with folders
• Open in Editor
• View status of background encoding
• View information on imported assets such as type, timestamps, length, encoding progress, bit rate, and more
• Reveal the location of the asset in the Finder
• Sort by name and information
• Refresh assets that may have been updated with other applications
• Re-encode source assets
• Reconnect assets
  
  Advanced Interactivity
  
• Multistory feature for creating alternative versions (up to 98 stories)
• DVD-ROM functionality using DVD@CCESS (for computer playback only); DVD-ROM input includes the ability to add photos, PDFs, or direct links to websites
• Control actions for remote control buttons, including number offset
• Enable/Disable user operations
• Specify actions for First Play, Title button, Menu button, end jumps, pre-scripts, pre-script targets, Angle button, Chapter button, Audio button, Subtitle, and Return
  
  Pre-mastering Options
  
• Region encoding
• Industry-standard analog and digital copyright management with Macrovision (Types 1, 2, and 3) and CSS for SD projects1
• Test functionality with built-in Simulator
• Test built projects with Apple DVD Player software
• Allows burning first layer of DVD-9 project to DVD-5 media for testing
• Supports 12- and 8-cm discs, single and double layer
• Dual-layer options:
• Choose between Parallel Track Path (PTP) and Opposite Track Path (OTP)
• Specify the dual-layer break point
• Specify a non-seamless or seamless dual-layer break point
• Format existing builds to DVD-R and DLT
• Burn DVD-9 projects to double-layer media for testing
• Replication to red laser media
• Replication to blue laser media (for HD DVD)
  
  Import
  
• Maintains named chapter markers from Final Cut Pro, Final Cut Express, and iMovie
• DVD Studio Pro 2 and 3 projects
• iDVD 3 and 4 projects
• AIFF
• AVI
• BMP
• DV
• H.264 (HD DVD projects only)
• JPEG
• Macromedia Flash 5
• MPEG-1
• MP3 (MPEG-1 Layer 3)
• MPEG-2
• M4A, M4P (iTunes 4 audio)
• PDF (Mac OS X)
• Photoshop (with layers)
• PICT
• PNG
• TARGA
• TIFF
• WAV
• Aspect ratios: 4:3 and 16:9
• TV systems: PAL and NTSC
• Frame rates: 29.97 fps (NTSC) and 25 fps (PAL)
• Maximum GOP sizes: 18 frames (NTSC), 15 frames (PAL)
  
  Audio Formats
  
• STAP (Soundtrack audio file) support
• MPEG-1 Layer 2 (64 to 384 Kbps)
• Dolby Digital AC-3 (mono to 5.1 surround using 64 to 448 Kbps)
• DTS — mono to 5.1 surround at 48kHz; DTS ES — 6.1 at 96kHz at 754 Kbps or 1509 Kbps
• Stereo PCM (16 bit/48kHz at 1536 Kbps)
• Stereo PCM (24 bit/96kHz at 4608 Kbps)
• Other QuickTime audio formats automatically transcoded to AIFF/PCM
  
  DVD Standards
  
• Author traditional DVDs using SD assets
• Author HD DVDs using SD and HD assets
  
  Output Formats
  
• DVD-R, DVD-RW, DVD+R, DVD+RW, double-layer media
• Double-layer media support
• DLT drive (required for DVD-9 projects)
• DDP 2.0 and 2.1
• CMF 1.0
• CMF 2.0
• DDP 3.0
• Disk Image
• Video_TS to hard drive
• HVDVD_TS to hard drive
  
  Menus
  
• Choose from a wide variety of automatic transitions
• Create your own transitions
• Includes several theme-based royalty-free Apple-designed templates that can be user-customized
• Supports up to 36 buttons per menu (18 for 16:9 aspect ratio)
• Templates in both NTSC and PAL formats
• Allows still menus and buttons to be made from layered Photoshop files
• Allows motion menus to be made from video streams
• Set the loop point on motion menus to avoid replaying intro transition
• Add effects to menus and buttons with shapes and drop zones
• Built-in action-safe and title-safe areas
• View menus with rectangular or square pixels
• Use grayscale and chroma color mapping
• Create language-localized versions of the same menu
  
  Connections
  
• Automatically assign functionality to assets with one click using over 60 combinations of context-sensitive drop palettes
• Automatically create movie scene indexes based on chapter markers
  
  User Interface
  
• Mode-free interface for workflow efficiency
• Rearrange interface tabs to different quadrants to create different workflows
• Save user-defined workspace configurations (three preset configurations)
• Customizable toolbar
  
  Timeline
  
• Manage up to 9 video angles, 8 audio streams, and 32 subtitle streams per track
• Add, modify, and delete chapter markers in the Timeline
• Trim audio and video clips interactively or with timecode
• Combine multiple video clips and slides into one track
• Stills in Timeline are added to DVD as space-saving stills, not generated video
• Add up to 99 tracks in a project
• Import Line 21 files for closed caption support, for NTSC SD projects only
• Two types of angles:
• Multiple angles add another full-length segment to track
• Mixed angles add only video that is different from the first video angle
  
  Subtitling
  
• Integrated subtitler
• Add up to 32 subtitle streams per track
• Set position, font, size, style and color, fade in and fade out
• Enter timecode or drag in Timeline to set start, stop, and duration
• View built-in title-safe and action-safe areas
• Use graphics in subtitles
• Import subtitles in .son, .stl, .txt, and .scr formats
• Use buttons over video
  
  Slideshows
  
• Choose from a wide variety of automatic transitions
• Create your own transitions
• Fit slideshow to audio
• Apply audio to individual slides
• Convert slideshow to a track
• Set a slide duration or choose manual advance
• Use PSD (8-bit RGB), TIFF, JPEG, BMP, TARGA, PICT, and any other QuickTime-based image format
  
  VTS Editor
  
• Automatic allocation of projects’s assets to VTS folders
• Automatic placement of menu’s assets into VTS folders
• Manually move elements between multiple VTS folders
• Up to 99 VTS folders per project
  
  Scripting
  
• Jump to motion menu loop point
• Advanced scripting controls to program the DVD to play back from the correct location on the disc; switch audio, video, and subtitle streams depending on context; and temporarily change parental controls
• Access to 8 GPRMs with partition options to 112
• Add pre-script commands to menus, tracks, and slideshows
• Use up to 124 commands per script
• 10 scripting commands, including Jump, Set GPRM, Goto Set System Stream, Resume, GPRM mode, Exit, Exit Pre-script, and Jump Indirect
• Machine-level control
• View values of GPRM and SPRM registers in Simulator
• Bit-wise operations 1. Copy protection requires that you output your project to a replicator. Macrovision requires that users work with a Macrovision-certified replication facility or execute a Macrovision usage agreement. Check with your replicator for costs and minimum quantities